Wednesday 21 November 2012

Violent Metempsychoses pt. 1

So I've been struggling with the National Novel Writing Month challenge once more, meeting with little success. There are just too many birthdays in November. Next year I think I will go and stay in a log cabin in Scandinavia somewhere for a month so that I can finally win. As I feel like putting something up here purely for the sake of putting something up, here is part 1 (of 3) of my dissertation's creative component. I'm going to expand on it at some point in the future, when I feel up to writing lots and lots and lots in the style of a dog. Probably when I've got the keys to that log cabin in Scandinavia.

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THE WAITING ROOM

I was inside a large, white room and everything was cloudy. I couldn't tell whether there was something wrong with my vision, or whether there was actual mist surrounding me. Waving a hand experimentally in front of me told me that it was a little of both. Very confusing, I had no immediate recollection of how I came to be there. My last memories were of Sarah, the fall, and the repulsive leering face of Josh. Him, standing at the bedroom window, watching me as I dropped, mouth open, eyes wild. I hated him for what he did to me.

This didn't explain how I had come to be there though, nor the distinct absence of pain in my body. Had I landed on my back? My legs? I definitely started to go backwards as the ladder toppled, and I can remember holding Josh's gaze for what seemed like forever. The bastard. I still couldn't believe what he had done to Sarah. What he was doing to Sarah, my Sarah, the bastard. And then to push the ladder...

But I was getting ahead of myself. Despite the rage burning away, I still didn't know where the hell I was. The room was long, like the main hall of a church, with a strange uneven ceiling that curved down at the sides. It was like a cavern with smooth painted walls, as though someone had taken a large burrow and given it some interior decorating. And then there was the mist. It shrouded everything, giving the whole place an unreal feel. That, and the fact that I'd apparently just appeared there from out of thin air.

I assure you that this is very real.

A voice. From out of the mist came this voice; calm and authoritative but in a soft way. It had come from the centre of the room. I squinted into the mists and after a few seconds I could discern a round silhouette, probably four feet tall or so. Strange. Had I been thinking aloud? What was this thing?

Come closer and see. I won't bite.

There was something reassuring in its tone. I cautiously stepped forwards into the mist, noting as I did how my legs did not ache or feel stiff. It was as though I had just woken up.

In a manner of speaking, you have.

Then I could see it more clearly. It was about four feet tall, a round thing, covered in brown woolly fur. There were some pointy bits at the top, ears possibly? And some yellow eyes, unblinking, focused on the ground in front of me. I suppose it had a face in that respect.
“What are you?” I asked, in a manner that betrayed how nervous I was. This situation was alien.

I'm different,” it replied after a pause, “to everything else. I appreciate that this scenario is different to everything else you've ever experienced. To a degree.

It had got that right. It felt as though I was participating in a car crash in slow motion, getting psychic whiplash, or something crazy like that. And all because of Josh? It must be.

You don't like him do you? You're blaming him for your being here.”

There it was again, seeing what I was thinking. I definitely hadn't been thinking out loud, I was paying close attention to myself. But it was right, I was blaming Josh.

You think he is the reason that you died.

“Died?!” But this all seemed so real, despite its unrealness. Tangible. I mean, I felt full of energy, alive, ready to go. And though I'd fallen from the top of the ladder it was only storeys up. People have fallen from higher. People have fallen out of planes and lived.

You landed onto concrete. The point of impact was just below the base of your neck. You shattered your cervical vertebrae.”

Instinctively I reached up and rubbed my neck. It felt fine, as though nothing had happened. As though I hadn't been pushed from the top of the ladder by the biggest son of a bitch I'd ever met.

You blame him for your death and you hate him more than anything in the world.”

“You're damn right! This guy has ruined my life! He's killed me and taken away from me the one person I love. Not only that, but he's using her! He doesn't care for her! It's all just a game to him! It's all a game and she doesn't know!” Hearing myself say these words out loud really brought everything home. A tear rolled down my cheek.

It looked up at me. Its yellow eyes glowed in the mist, their radiance asked questions of me that its voice could not. They burned with an intensity that cut through the swirling confusion.

And you want revenge?

It asked the question, even though it already knew the answer. As though it just wanted to hear me respond, to engage with the question and its implications. But if what it said was true, that I was dead, how could I get revenge?

From this afterlife you have three chances. Although your body has been broken, your soul still burns brightly with life. In the process of reincarnation, your soul can pass into a body that is still whole. Your soul will merge with that which resides within. In this way, you can have another attempt at life. This may happen three times.”

“So, I can go back, and get three shots at revenge that way?”

What you do with this opportunity is for you to decide. Should you wish to pursue vengeance there are a couple of things you must be aware of, however.” It stopped and blinked, very deliberately, as though what it was about to say contained great weight. “There are some factors which you may find limiting to your mission.

Firstly, you will be reborn into the body of a creature that is different to your previous one. You will find that each subsequent reincarnation will be a step further from your previous form. Secondly, as there will already be a soul present in the body, your past memories will not be present to begin with. The shock of rebirth will push them to the back of your unconscious. They will need to be re-awakened, which will happen when you encounter something that will connect with them. Through subsequent reincarnations, the reawakening process becomes harder.”

This brought to mind all of those stories you hear about people coming back as animals. Birds that visit bereaving families and comfort them in their loss. Dogs replacing lost children.
“If this is the case, why aren't there more stories of animals attacking humans? I would have thought everyone would be desperate for this sort of opportunity.”

Not everyone who dies wants revenge. And not all who want revenge are able to harbour such feelings after experiencing a second chance of life. Not all wish to sacrifice another life in order to satisfy the yearnings of one that has already expired.”

These seemed like reasonable arguments, but my anger was much stronger by far. It wouldn't be a sacrifice, not like it was making out. I could be reincarnated, save Sarah from that beast and be done with it. See out the rest of my days in peace.

As you wish. There is a door at the end of the room. It will take you where you seek. Be wary though. Every living being has its own story. It would be a mistake to think that yours is the most complete simply because it is the one you are most familiar with.”

With those words it averted its gaze again, contemplating the floor in front of me once more. It felt as though a pressure was lifted from my shoulders. As though I had been in court and the verdict had just been announced. I looked forward into the mist and at once I could see a dim light at the far end of the room. This must be the doorway onwards. With great purpose I strode past the thing and made for the exit, with vivid thoughts of vengeance dancing in my mind.

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BARRY AND THE AWAKENING.

Warm, mmmmmmmmm, hot, I love lying in the sun, it's fun, yes it is. Mmmmm, nothing like a nice stroll with the Leader, but still lovely, this spot is so comfy. Normally I don't like it when the Leader goes away and shuts me in his moving house, but it is rather soft to lie in and when the sun is shining it gets so lovely and warm its almost as if I'm in my basket, or even when I used to nuzzle up against my dam all that time ago when it was our basket and not just mine, mmmmmmm.

I wonder where the Leader has gone, he's gone and left the Lead just lying there in the front on the friend chair, and I want to go and get it but I know that if I do it won't be the same as it is when the Leader gets it, and the Leader doesn't like me sitting in the friend chair, no, not there. Ahhhhhhhhhh, it's so warm that I don't mind, I'll find that the Leader will come back and then we'll go for a nice walk, or maybe he'll talk to me and give some food, good, mmmmmmm.

There was one time when the Leader left me in here, and he left the glass bits all up and it got too warm, like the room where the Leader makes his food, not good, mmm, and I felt quite ill, still, will not happen again I don't think, as the Leader has learnt and has left it, the glass bit, open and –

Wait a minute.

An open window.

Josh.

All of a sudden, a deluge of memories falls on top of me, burying me in the past. I remember everything. The window, the fall, the look on his face as it happened. The bastard. He was going to pay.

I wag my tail at this thought, making a pleasing thump-thump-thump noise as it whacked against the soft leather of the back seat. Neat, I was back, on track and ready to get some revenge. Once the Leader got back I would be able to get out of this car and then see about tracking down Josh.

The more I think about Josh though, the more images in my head seem to come together. This repulsive man, the bane of my previous existence, his image is everything that the Leader isn't; the Leader is lovely and kind and takes me for walks, gives me food, good, and pats my head before basket time. Despite this though, the smell of the Leader, that wonderful kind smell, seems to be bound up with Josh. Repulsive man, delightful smell. Both pictures seem to be drawn together in this car.

And then I get it. What the connection was. Why these two seemingly incongruous images were meeting here in this car. This is Josh's car. I should have recognised the faux-leather interior, tacky wood stained finish on the dashboard, Millwall FC air freshener. Lack of air circulation for his dog.

I am his dog, Barry! This is perfect. Poor old Barry was going to bite that hand that feeds him. I can see myself now, leaping up at Josh as soon as he opens the door to the car, cannoning forward onto his chest, the shock of my weight forcing him to fall backwards to the floor, me on top of him, clawing at his face, then sinking my jaws into his neck, canines and incisors digging into his weak flesh, feeble arms beating against me but too late, too late to stop the merciless rush of his blood, wet and hot into my –
But here he is! Coming to open the door to the car, some kind of sick, animal grin on his face. I can hear the jingle-jangle of the keys as he pulls them out of his pocket, so I know, not having much time, I have to leap into the front seat, neat, sweet look in my eyes masking the murderous rage within. His hand has moved to the door handle. I can hear him mumbling something, the words seem strange to my ears, but I can smell his surprise, wafting in through the opening in the glass bit. Then he opens the door.

I spring forward, like a wolf, like a hunter, but he is swift. He sees me coming and sidesteps my lunge. I fly out of the car and onto the hot tarmac of the road. I hadn't noticed that the door has opened up onto the road. I am dazed. There is an intense assault of scents, smells, odours, so many, overpowering, and I find myself cowering. I'm not prepared for all this. Josh is shouting something but its lost in the rush. The onrushing scents, the onrushing scents.

The onrushing car.

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Monday 5 November 2012

The Proclaimers



A few weekends ago I went to see the Proclaimers play in Guildford. It had been around 6 or so years since I last saw them live, inebriated, off the back of two songs and a wee bit of silly nationalism. At the time the inebriation and silly nationalism certainly raised my opinion of them, but their performance encouraged me to purchase their greatest hits album a few days later. I am very pleased I made this decision, along with the one to go and see them again in Guildford. This time, older and wiser, having only had one pint, I was able to appreciate them much more as musicians. They put on a great show and have inspired me to look further than the peripheries of compilations. Sunshine on Leith is now level pegging with Rumours to be the next CD I purchase.

For someone (like myself back in t' day) looking to engage with their music after the turn of the century, it must be difficult to look past their image as a novelty act to be confined to wedding parties where three minutes of jovial scotch 'ta-da-la-la's sit well next to the 'Macarena' and 'Bohemian Rhapsody'. Back in t'day though (a much earlier day than t' day I was back in, mind) they leaped onto the scene with a television performance that garnered a lot of attention. Rather than a party tune, this was a deeply political ode to emigration from Scotland. These two songs, the two I was familiar with before seeing them for the first time, illustrate what makes them appealing to me. Matt Lucas of Shooting Stars and Little Britain fame describes it more eloquently than I can currently:

"...there is great wit and intelligence. Craig and Charlie's lyrics are frequently emotional, often unashamedly sentimental. Other times their words are as dry and pithy as their melodies are simply divine. They write with unabashed honesty and understated eloquence about what they know best - life, death, love, sex, marriage, parents, kids, football, politics, alcohol and Scotland - and leave the rest, quite happily, to everyone else."

- taken from the foreword to The Best of... (2002)

 This mixture, combined with the wry sense of humour which seems tied into a sense of 'jovial suffering' that pervades most aspects of Scottish culture, that makes them a winning package for me. There is something beautifully human about being free to tackle all subjects, from the serious to the comic, and not being any worse off for it. By looking at them this way it seems less surprising that Lucas was able to write that "'Sunshine on Leith' says more to me about me life and the way I feel than anything Morrissey or Cobain ever wrote." And he's not even Scottish!

Their style of lyrical honesty is certainly one that I'm going to try and use more in the future, and they are definitely a band that I am going to encourage others to give a chance to. Starting with you! Go and grab a bunch of them.



"Let me donate something to a kids charity of your choice
For you I would willingly be a worse traitor than William Joyce
If I could sing I would sing you a song in Sam Cooke’s voice
Let me rephrase that, I think there’s a better line there
Spinning around in the air"